http://emanuelwrites.blogspot.com/2009/05/passion-pit_31.html
ways and things:
where we never get tired of second-person
Friday, August 28, 2009
[i 'unno]
at least I'll be honest about my lying:
I hide poems from you.
I tuck them away like buzzing phones during sex
push them back in, like garbage pressing from inside a bulging closet
bulging like my my cheeks while trying to wrap these appetent words in my tongue
shrugging like "[i 'unno]" with mouth and eyes full
of things I just can't let stream out
lest they damper our fine run
lest they make this tightrope too slippery
I hide poems from you.
I tuck them away like buzzing phones during sex
push them back in, like garbage pressing from inside a bulging closet
bulging like my my cheeks while trying to wrap these appetent words in my tongue
shrugging like "[i 'unno]" with mouth and eyes full
of things I just can't let stream out
lest they damper our fine run
lest they make this tightrope too slippery
Get up.
I'm always trying to make eye contact
when your looks are running away
it's like how I try hardest
when a back is turning my way
I think if your eyes
hit me back
while I was trying to connect
it would set these lids on fire
or I feel that way. I don't actually think it,
because that's a stupid thing to think.
but it feels that way, it is a terrifying prospect.
I think I know why you would never let our eyes lock:
because it's asking too much of you
"I'm not that good of a liar. this is way out of contract"
I know, I know
there's a limit to how much you can portray;
that those fingers love mine
as much as mine do yours
but you know, you know
I like to pretend too
I'm sorry for teasing the curtain
I'll behave, I promise
now, say it again. say it for me.
forge me another smile
like a sweet food
for pleasing my mouth
before the light can hit it
having the heat
turn its hollow insides out
when your looks are running away
it's like how I try hardest
when a back is turning my way
I think if your eyes
hit me back
while I was trying to connect
it would set these lids on fire
or I feel that way. I don't actually think it,
because that's a stupid thing to think.
but it feels that way, it is a terrifying prospect.
I think I know why you would never let our eyes lock:
because it's asking too much of you
"I'm not that good of a liar. this is way out of contract"
I know, I know
there's a limit to how much you can portray;
that those fingers love mine
as much as mine do yours
but you know, you know
I like to pretend too
I'm sorry for teasing the curtain
I'll behave, I promise
now, say it again. say it for me.
forge me another smile
like a sweet food
for pleasing my mouth
before the light can hit it
having the heat
turn its hollow insides out
Wednesday, August 26, 2009
hey
you, hook crooked into the gums of my Will
jerk me up and out
of socks and shoes
I have a blueprint in my bag,
designs for a "Thank You"
much more illustrious than what
the meager supplies I currently possess could construct faithfully
so here it is:
a placeholder
a little wooden figure
stuck together with spit
by my fumbly hands
they'll steady one day
and the ode they'll sing...
just you wait!
you'lll see!
jerk me up and out
of socks and shoes
I have a blueprint in my bag,
designs for a "Thank You"
much more illustrious than what
the meager supplies I currently possess could construct faithfully
so here it is:
a placeholder
a little wooden figure
stuck together with spit
by my fumbly hands
they'll steady one day
and the ode they'll sing...
just you wait!
you'lll see!
warp records
one by one
they came straight out of her mouth
brushed my ears
stuck my eyes
rested on my chest
where my arms could wrap and hold them tight
"they shake me deaf and dumb"
I showed her exactly how to do it
with tongue lolling
head hanging back
her affection was a hammock
for my heart
tied between my balls
on a string that flicked
in and out like
old tv
"it was so clear to me, that it was [] invisible"
they were beautiful
for so much time
they crawled into cuddled into my hungry arms
like little children dolls
as moons and days seasons and paths passed
I stood there, sight warped around her face
loved by the sand of her voice
while her hands brushed against and through other legs
in what was dark to me
while other fingers
cowled around her shoulder and collar
beautiful gorgeous gifts
with my name all over them
emanated
"wretching pennies in a boiling well"
the figures in my hands
began to fit oddly against one another
warping in the heat
until they began to split apart
like flowers
or scabs
and her shape remained the same
but the colors sickened
and her teeth began to be sung out to me too
and they submerged into my skin
and twirled themselves
fanged drills burrowing into veins
flinging in the currents
till they could sink into
where it all came from
she wants it all
she has plenty of rows
for motherfuckers like me
and when they sink
I will, too
under the weight of these splitting damning twisting words
barbed in my embrace
this is a funeral.
this poem is a eulogy
NOT ON MY WATCH
and I am watching now
wai
nah
no
ah'm
nah't
y're
duhn
get oudda my sight
get offa my buddy list
get oudda my contacts
over,
again
they came straight out of her mouth
brushed my ears
stuck my eyes
rested on my chest
where my arms could wrap and hold them tight
"they shake me deaf and dumb"
I showed her exactly how to do it
with tongue lolling
head hanging back
her affection was a hammock
for my heart
tied between my balls
on a string that flicked
in and out like
old tv
"it was so clear to me, that it was [] invisible"
they were beautiful
for so much time
they crawled into cuddled into my hungry arms
like little children dolls
as moons and days seasons and paths passed
I stood there, sight warped around her face
loved by the sand of her voice
while her hands brushed against and through other legs
in what was dark to me
while other fingers
cowled around her shoulder and collar
beautiful gorgeous gifts
with my name all over them
emanated
"wretching pennies in a boiling well"
the figures in my hands
began to fit oddly against one another
warping in the heat
until they began to split apart
like flowers
or scabs
and her shape remained the same
but the colors sickened
and her teeth began to be sung out to me too
and they submerged into my skin
and twirled themselves
fanged drills burrowing into veins
flinging in the currents
till they could sink into
where it all came from
she wants it all
she has plenty of rows
for motherfuckers like me
and when they sink
I will, too
under the weight of these splitting damning twisting words
barbed in my embrace
this is a funeral.
this poem is a eulogy
NOT ON MY WATCH
and I am watching now
wai
nah
no
ah'm
nah't
y're
duhn
get oudda my sight
get offa my buddy list
get oudda my contacts
over,
again
"the next time you say forever"
the next time you say never
I will kiss you on your face
/
just because you didn't mean it
doesn't mean I won't believe it
---
but that's what you were banking on, hunh?
I will kiss you on your face
/
just because you didn't mean it
doesn't mean I won't believe it
---
but that's what you were banking on, hunh?
Friday, August 21, 2009
lyrics I wrote for my noisy garage psych pop band from california, Black Bats
waste my head in a line of smoke
you ain't got what I need
to feed these hands
chase my head in a wood of smoke
will you meet me there?
could you meet me there?
waste my head in a line of smoke
how come I breathe so true
in this case
chase my head in a wood of smoke
now come and bleed yr
worries to me
this case
don't leave no room
for bullshit
this case
just takes
your heart's first bones
this case
don't leave no room
for bullshit
this case
just takes
and takes
and takes
it all
just takes
and takes
and takes
you ain't got what I need
to feed these hands
chase my head in a wood of smoke
will you meet me there?
could you meet me there?
waste my head in a line of smoke
how come I breathe so true
in this case
chase my head in a wood of smoke
now come and bleed yr
worries to me
this case
don't leave no room
for bullshit
this case
just takes
your heart's first bones
this case
don't leave no room
for bullshit
this case
just takes
and takes
and takes
it all
just takes
and takes
and takes
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